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Definition and etymology [ edit ]
Of particular importance to the development of folk rock by the British Invasion were the 💵 subtle folk influences evident in such Beatles' compositions as "I'll Be Back", "Things We Said Today", and "I'm a Loser",[34] 💵 with the latter song being directly inspired by folk singer-songwriter Bob Dylan.[35] In the opinion of Roger McGuinn of the 💵 Byrds, writers who attempt to define the origins of folk rock "don't realise that the Beatles were responsible as far 💵 back as 1963". He cites "She Loves You" as one of the first examples where the Beatles introduced folk chord 💵 changes into rock music and so initiated the new genre.[36] These songs were all influential in providing a template for 💵 successfully assimilating folk-based chord progressions and melodies into pop music. This melding of folk and rock 'n' roll in the 💵 Beatles' music became even more explicit during 1965, with the release of "You've Got to Hide Your Love Away", a 💵 folk-derived song with introspective lyrics, again influenced by Dylan.[37][38] Although the Beatles themselves utilized folk as just one of many 💵 styles evident in their music, the underlying folk influences in a number of their songs would prove to be important 💵 to folk rock musicians attempting to blend their own folk influences with beat music.
The effect that the music of these 💵 British bands, and the Beatles in particular, had on young Americans was immediate; almost overnight, folk—along with many other forms 💵 of homegrown music—became passé for a large proportion of America's youth, who instead turned their attention to the influx of 💵 British acts.[33][39] The influence of these acts also impacted on the collegiate folk and urban folk communities, with many young 💵 musicians quickly losing interest in folk music and instead embracing the rock 'n' roll derived repertoire of the British Invasion.[39] 💵 Future members of many folk rock acts, including the Byrds, Jefferson Airplane, the Lovin' Spoonful, the Mamas & the Papas, 💵 and Buffalo Springfield, all turned their backs on traditional folk music during 1964 and 1965 as a direct result of 💵 the influence of the Beatles and the other British Invasion bands. Author and music historian Richie Unterberger has noted that 💵 the Beatles' impact on American popular culture effectively sounded the death knell for the American folk music revival.[39]
Bob Dylan in 💵 1963.
Medieval folk rock developed as a subgenre of electric folk from about 1970 as performers, particularly in England, Germany and 💵 Brittany, adopted medieval and renaissance music as a basis for their music, in contrast to the early modern and nineteenth 💵 century ballads that dominated the output of Fairport Convention. This followed the trend explored by Steeleye Span, and exemplified by 💵 their 1972 album Below the Salt. Acts in this area included Gryphon, Gentle Giant and Third Ear Band.[133] In Germany 💵 Ougenweide, originally formed in 1970 as an acoustic folk group, opted to draw exclusively on High German medieval music when 💵 they electrified, setting the agenda for future German electric folk.[134] In Brittany, as part of the Celtic rock movement, medieval 💵 music was focused on by bands like Ripaille from 1977 and Saga de Ragnar Lodbrock from 1979.[135] However, by the 💵 end of the 1970s almost all of these performers had either disbanded or moved, like Gentle Giant and Gryphon, into 💵 the developing area of progressive rock.[136][self-published source?] In the 1990s, as part of the wider resurgence of folk music in 💵 general, new medieval folk rock acts began to appear, including the Ritchie Blackmore project Blackmore's Night, German bands such as 💵 In Extremo, Subway to Sally or Schandmaul and English bands like Circulus.[137]
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A turnkey project is one which is designed, developed and equipped with all facilities by a company under a contract. It is handed over to a buyer when it becomes ready to operate business. Obviously, the company responsible for building a turnkey project does it for the cost as agreed in the contract.
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